He has been heard as subsitute at the National Theater Mannheim (Rossini's
La Scala di seta, Blansac), at the
Opéra de Lausanne in Die lustigen Weiber von Windsor (Dr Caius) and in La Traviata (Douphol), as well as in the arenas of Avenches
in Carmen (Moralès), in Don Pasquale for Opérami (Malatesta), and Transsibirskaïa, show the creation of which he has worked.
As a recitalist, he has given the Wesendonck-Lieder for Association Lied et mélodie. He teaches at the Haute Ecole de Musique de Genève
Following his activity as lecturer at the University of Geneva in Indo-European and ancient Greek language,
he obtained a concert diploma with Gary Magby (Lausanne Conservatory). Supported by grants Mosetti and Tanner,
he studied with Dalton Baldwin, Alain Garichot, Christa Ludwig, Edda Moser and Françoise Pollet. Still as a student,
he plays in
Dido and Aeneas (Purcell), in Postcard from Morocco (D.Argento) and in Transformations
(C. Susa), and works as a cover the role of Sam (Bernstein's Trouble in Tahiti). Follow Rossini roles with Pacuvio
( La Pietra del paragone) in Fribourg, Besançon, Rennes, Reims and Calais, Norton ( La Cambiale di matrimonio)
and Blansac ( La Scala di seta) with the Opéra de Chambre de Genève, but also Sivlio ( I Pagliacci) in Paris
and Moralès ( Carmen) at the Opéra de Lausanne, Vichy and several scenes of Japan (Tokyo, Kobe, Fukoka etc.).
The 2012-2013 season, he was part of
L’Envol, Opera troupe of Lausanne, and was given the Genie of the Lamp in Aladdin and the Wonderful Lamp
(N. Rota), Sciarrone in Tosca, Prokesch in L’Aiglon (Ibert/Honegger) and Antonio in Le Nozze di Figaro.
Finally, we mention Silvano (Verdi, Un Ballo in Maschera) at the Opéra de Lausanne, Valere (Gounod, Le Médecin malgré lui)
for the Fondation Royaumont (Compiègne, Dijon, Lille, Rouen, Versailles), Gregorio (Gounod's Roméo et Juliette)
at the Opéra de Lausanne, and Capulet, Germont (Verdi, La Traviata), Ceprano (Verdi, Rigoletto) in Avenches,
Ufficiale (Rossini's Il Barbiere di Siviglia) at the Opéra de Lausanne and Vichy, Michel Servet (Shauna Beesley,
Le Procès de Michel Servet), Benoît and Alcindoro in Scènes de la vie de bohème at the Grand Théâtre de Genève,
Don Grillo (Traetta, Le Serve rivali), and Marcello ( La Bohème).
He has worked with conductors such as Corrado Rovaris, Alain Guingal, Nicolas Chalvin, Hervé Klopfenstein, Gleb Skvortsov,
Luc Baghdassarian, Cyril Diederich, Günter Neuhold, Stefano Ranzani, Miquel Ortega, Pascal Verrot, Roberto Rizzi Brignoli, Jean-Yves Ossonce, Theodor Guschlbauer,
and stage directors such as Jean-Louis Grinda, Eric Vigié, Stephan Grögler, Elsa Rooke, François Rochaix, François de Carpentries, Arnaud Bernard, Adriano Sinivia,
Philippe Sireuil, Sandrine Anglade, Pier Paolo Pacini, Volker Böhm, Waut Koeken, Giancarlo del Monaco, Renée Auphan, Marco Arturo Marelli.
In recital, he performs regularly with pianist Ludmilla Gautheron.